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"Death in Venise": a psychoanalytical approach
Sácký, Jan
The goal of this thesis is to offer a psychoanalytical understanding of Thomas Mann's short story Death in Venice. This understanding is achieved through analysis of motive of godhood and the explanation of two dominant themes of the story, love and death. This thesis also compares the story of novella with Plato's dialogue Phaedrus and draws paralels between message of the novela and Sigmund Freud's work Beyond the pleasure principle and two of the fragments from Heraclitus of Ephesus. Thesis also offers brief research of what was already written about Death in Venice. The findings of my interpretation are compared to Heinz Kohut's interpretation of Death in Venice from 1957. KEY WORDS god, godhood, antiquity, eros, love, death
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The Pathos of Wing and Arrow: the Variances of Eros in the History of European Literature.
Macl, Ondřej ; Činátlová, Blanka (advisor) ; Bílek, Petr (referee)
(anglicky) The aspiration of this thesis is on behalf of (more authentic) Eros problematic "to shake" literary science, not to say its method of interpretation, and so open another, more sensitive approach to art. As a tangle of starting points, I used the dubious theories of authors such as late R. Barthes, G. Didi-Huberman, H. Bloom, G. Bataille or S. Sontag. But especially, I delve into the studies of European literature in order to expose my own "wounds", no less violently classified into thematic chapters (Cosmogony, God of Love, Desire, Philosophy, Heart, Arrow, Wing, Game, Topos, Instinct, Orpheus and others). Therefore I introduce Eros as multifaceted phenomenon, in contrast to monological tendencies of dominant (platonic or Christian) erotic interpretations. Moreover - in polemics with Bataille's eroticism - I try to make Eros "the work".
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Socrate's "Érótiké techné" in Faidros
Grimmich, Šimon ; Špinka, Štěpán (advisor) ; Jinek, Jakub (referee)
Práce představuje, co v kontextu dialogu Faidros znamená erotické umění (erótiké techné), o kterém se Sókratés zmiňuje v palinódii (257a6-9) a které je pro něj něčím nesmírně podstatným. V první a druhé kapitole nejprve zkoumá, jak Sókratés chápe lásku (erós) a umění (techné) řeči, přičemž si všímá jejich hluboké ambivalence, kterou by měla zvládat filosofie jakožto erotické umění. Třetí kapitola se zaměřuje na vztah duše a pohybu a předkládá pojetí přirozenosti duše, sebepoznání, nesmrtelnosti a blíže zkoumá vztah duše a těla. Čtvrtá kapitola konečně po shrnutí rozumění erotickému umění, jak ho nabízejí současní badatelé, nabízí své vlastní rozumění. Erotické umění se ukázalo být filosofií samotnou, která je láskou k moudrosti a která prostřednictvím dialogu a vztahu k druhému usiluje o probouzení lásky a plození krásných řečí. Filosofie je konečně uměním, které dokáže zvládnout ambivalenci lásky úsilím o sebepoznání.
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"Death in Venise": a psychoanalytical approach
Sácký, Jan ; Kučera, Miloš (advisor) ; Klusák, Miroslav (referee)
The goal of this thesis is to offer a psychoanalytical understanding of Thomas Mann's short story Death in Venice. This understanding is achieved through analysis of motive of godhood and the explanation of two dominant themes of the story, love and death. This thesis also compares the story of novella with Plato's dialogue Phaedrus and draws paralels between message of the novela and Sigmund Freud's work Beyond the pleasure principle and two of the fragments from Heraclitus of Ephesus. Thesis also offers brief research of what was already written about Death in Venice. The findings of my interpretation are compared to Heinz Kohut's interpretation of Death in Venice from 1957. KEY WORDS god, godhood, antiquity, eros, love, death
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In the Beginning was a Relationship - Man as a Being of Relationship
SEDLÁČKOVÁ, Vlasta
The Bachelor Thesis on its theoretical level deals with a human as the relational being. With reference to psychological and theological resources, it describes and analyses interpersonal close relationships, the relationship within the Holy Trinity and finally the relationship of a human to God, to other people and to him/herself on the level of reason and love. The thesis tries to deal with interconnection of the terms person and personality on the level of human "self", will, reason and love.
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